Named after Prince Antoni Radziwiłł, who built a wooden summer residence here between 1822 and 1824 for his family. The Radziwiłł family played an important role in Polish?CLithuanian history over several centuries and owned lands larger than the state of Belgium.   Related Paintings of antonin dvorak :. | a concert given by the young mozart in the redoutensaal of the schonbrunn palace in vienna | mozart s first floor apartment in vienna. he composed the marriage of figaro there | a romantic artist s impression of mozart composing | the young mozart being presented by joseph ii to his wife, the empress maria theresa | mozart at the age of six in court dress, painted p a lorenzoni |
Related Artists:
Samuel King
1748-1819 Samuel King Gallery American painter, carver and nautical instrument maker. He was the son of Benjamin King, a mathematical and nautical instrument maker of Newport, RI. Samuel King's early portrait of the Rev. Ezra Stiles (New Haven, CT, Yale U. A.G.) is undoubtedly his masterpiece and a tour de force of symbolism. The portrait was begun in 1770 and completed on 1 August 1771. It shows the interest of the instrument maker in detail and exactitude of delineation. King's other known portraits show no such originality and in the main reflect compositions taken from portraits known to have been hanging in Newport at the time or from English prints. Since Samuel King and Charles Bird King (unrelated) were neighbours on Clarke Street in Newport, he probably influenced Charles Bird King. Washington Allston and Ann Hall (1792-1863) were both Samuel King's pupils.
January Suchodolski
(September 19, 1797 - March 20, 1875) was a Polish painter and Army officer. Suchodolski was born in Grodno and was the brother of Rajnold Suchodolski. From 1832 to 1837 Suchodolski studied in Rome, where he was a pupil of Horace Vernet. Suchodolski became known for his history and battle paintings. He died in Bojmie (near Siedlce).
AMBERGER, Christoph
German Painter, ca.1500-1562 German painter and draughtsman. His family came from the Upper Palatinate. He served his apprenticeship in Augsburg, probably with Leonhard Beck, whose daughter Barbara he married. He became a master on 15 May 1530 but rarely signed his work. He was in northern Italy and Venice c. 1525-7. His full-length pendant portraits of a husband and wife (both 1525; Vienna, Ksthist. Mus.) show Venetian influence, and the portrait of Anton Welser (1527; priv. col., see 1980 exh. cat., p. 98) is in the Italian style. According to Sandrart, during the Imperial Diet of 1530 in Augsburg Amberger painted a portrait of Emperor Charles V to the Emperor's satisfaction, but the surviving work (Berlin, Gem?ldegal.) dates from 1532, based on the age given. In the decades that followed, Amberger was the favourite portrait painter of ambitious merchant families, such as the Fugger, who belonged to guilds but were connected with the nobility by family or marriage ties.